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Messiah, Guitar Hero: Superstar Rocks on at the Neil Simon Theatre (thepoliticker.observer)

'Jesus Christ Superstar.' (Photo by Joan Marcus)

Religion goes down so much more easily when it’s accompanied by guitar.

Innumerable youth-group leaders and Reform rabbis know this truth, and so does
_Jesus Christ Superstar_, Andrew Lloyd Webber and Tim Rice’s 1970 rock-opera
passion play. But the nascent mega-musicalers’ first Broadway
outing—_Superstar_ originated as a British concept album, and then debuted
here in 1971 before returning to the West End the following year—offers no
gentle acoustic strumming. (Neither, blissfully, does it indulge in the bland,
feel-good soft rock of Stephen Schwartz’s _Godspell_, playing this season in a
nursery-school-on-speed revival.) No, Mr. Lloyd Webber’s tuneful, hook-filled,
guitar-driven score instead provides an account of Jesus Christ’s final week
that’s accompanied by scorching riffs, soaring vocals, some funky bass lines,
and more than a little rock-god sex appeal.

The show returned to Broadway last week in a slick, pulsing production
directed by Des McAnuff; it’s a fun, loud, thoroughly enjoyable revival that
plays largely as rock concert. No period piece, it’s a more or less modern
staging that presents this chapter of Jesus’s life less as a historical
episode than as a timeless story relevant to today.

Mr. McAnuff, who developed this ...

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