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End of the Rainbow: There’s No Place Like Center Stage (thepoliticker.observer)

Bennett.

_End of the Rainbow, _a tragic reflection with music of the last sad,
declining days of the legendary Judy Garland, arrives on Broadway after
breaking records in London’s West End and winning a bushel of awards for its
star, a supersonically gifted dynamo named Tracie Bennett. At first glance,
prancing her way into a suite at the Ritz to begin rehearsals for a five weeks
of concerts at the fabled Talk of the Town, she does not sound, speak, sing or
look anything like the greatest entertainer of the 20th century. I have seen
drag queens do better Judys, mimicking every stage of her turbulent career.
But then, despite the overbite and the hoarse voice without a shine in it, she
begins to grow on you, like moss. Slowly, the nuances take you by surprise.
Like Michelle Williams in _My Week With Marilyn, _she begins to stake
squatter’s rights on the role, not just imitating Judy, but channeling her.
The book and direction of this show, by Peter Quilter and Terry Johnson,
respectively, are as solid, filling and substantial as cracker crust. But by
the time Tracie Bennett works her magic, captivates your imagination ...

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