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A Lot of Trouble for Trouble in Tahiti, and It Was Worth It: The Orpheus Chamber Orchestra Works Wonders With Bernstein’s Opera (thepoliticker.observer)

The Orpheus Chamber Orchestra. (Photo by Larry Fink)

“We really don’t want to be jerks,” Jamie Bernstein told _The Observer_
recently. “Who wants to be a jerk?”

Ms. Bernstein was sitting at the dining room table of her Chelsea apartment,
talking about the legacy of her father, Leonard Bernstein. It’s that legacy
that she doesn’t want to be a jerk about.

Along with her sister and brother and the small staff and board of the Leonard
Bernstein Office Inc., Ms. Bernstein is in charge of overseeing the future of
Lenny. This intimate group is the gatekeeper for all things Bernstein, giving
the final approval for new productions, adaptations and arrangements.

It was to this group that the Orpheus Chamber Orchestra appealed a couple of
years ago. The ensemble was beginning to conceptualize an all-American concert
featuring Aaron Copland’s “Appalachian Spring” Suite and Chris Thile’s
Mandolin Concerto. (The concert takes place this Saturday at Carnegie Hall.)
The consensus was that Bernstein would make a great complement, but he wrote
next to nothing for chamber orchestra.

One of Orpheus’s artistic directors, the violinist Ronnie Bauch, had an idea.
In the late 1970s Mr. Bauch had played in a performance ...

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